Mixing & Performance

Camelot Key Notation

Reviewed by

A number-plus-letter code (1A through 12B) that maps each musical key onto a clock-face wheel so DJs can find harmonically compatible tracks without reading standard music notation.

Camelot Key Notation assigns each of the 24 major and minor keys a code from 1A through 12B, arranged in a circle so that compatible keys sit adjacent to one another. A denotes minor keys and B denotes major keys; the numbers 1 through 12 represent positions on the clock-face wheel, where moving one step in either direction (for example from 8A to 9A or 7A) yields a harmonically compatible key relationship.

Why it matters

The system removes the need for a DJ to know music theory in order to make harmonic mixing decisions. Instead of reasoning about the circle of fifths, a DJ can compare two Camelot codes and immediately know whether a transition will be safe: same code is always compatible, adjacent number same letter is compatible, and same number different letter (switching between A and B) moves between relative minor and major.

In practice

Tag every track's Camelot code in your library metadata. When selecting the next track, filter to the same code, the code one number higher or lower with the same letter, or the same number with the opposite letter. These three moves cover the majority of clean harmonic transitions.

Frequently asked questions

The Camelot system was developed by Mark Davis, whose concept originated in 1991 and was published through his Mixed In Key software. It is the most widely adopted DJ key notation system, but Open Key notation also exists and uses a similar number-plus-letter format with different letter conventions: Open Key uses d (dur, meaning major) and m (moll, meaning minor) rather than Camelot's B and A. Camelot codes are displayed natively in Rekordbox and Serato; Traktor uses Open Key notation natively and requires a conversion step or third-party tags to display Camelot codes.
A two-step jump, such as moving from 8A to 10A, represents an interval of a major second in music theory terms. This move can work on the right tracks but is noticeably more tense than a one-step move. The further you move around the wheel, the more likely the two tracks will produce audible dissonance, particularly if both have prominent melodic or harmonic content in the mix zone.
Yes, any tonally centered music has a key that maps to a Camelot code, including hip-hop, house, techno, trance, and R and B. Genres with heavy noise, atonal elements, or purely percussive content are harder for software to analyze reliably, but the code assigned still gives a useful starting point. Tracks that are genuinely atonal or key-ambiguous, such as certain industrial or noise tracks, may show inconsistent results across different software.
Ben Modigell

Hey, it's Ben Modigell 👋

I DJ and produce as so I so — downtempo, minimal, dub house, tech house, and techno (releases on Spotify and SoundCloud, links above). Everything I write here comes from my own gigs, studio sessions, and library cleanups: the rules I follow, the failure modes I've actually hit, and the workflow I use when nobody's watching. If a technique didn't earn its place in my own sets, it doesn't make it into a tutorial.

DJingMusic ProductionTech HouseMinimal HouseDub HouseTechnoDowntempoLibrary Organization