Chargie - Zed Bias Rework
30s preview
- Key
- 6A · G minor
- BPM
- 134
- Open Key
- 11m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 3:08
- Released
- 2025
- Album
- Chargie (Zed Bias Rework)
- Genre
- Uk Garage
- Loudness
- -4.9 dB
- Dynamics
- 11.2 dB
- ISRC
- UKW3Z2502544
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo uk garage cut, Chargie - Zed Bias Rework sits in G minor (6A) at 134 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Brighter than 99% of Zed Bias's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of Zed Bias's catalogue
- Energy:
- hotter than 95% of Zed Bias's catalogue
- Low end:
- more treble-tilted than 77% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Chargie - Zed Bias Rework in?
Chargie - Zed Bias Rework by Zed Bias is in G minor, or 6A on the Camelot wheel.
What BPM is Chargie - Zed Bias Rework?
Chargie - Zed Bias Rework runs at 134 BPM, a peak-time tempo track.
What mixes well with Chargie - Zed Bias Rework?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Chargie - Zed Bias Rework good for peak time?
With energy 97 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 134 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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