Samba - MK Onix Dub
30s preview
- BPM
- 122
- Open Key
- 7m
- Energy
- 54/100
- Pop
- 0/100
- Length
- 7:13
- Released
- 2015
- Album
- Samba (2015 Remixes)
- Genre
- House
- Loudness
- -9.3 dB
- Dynamics
- 18.0 dB
- ISRC
- USMKQ1200080
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Samba - Gettoblaster Editversion11A · 128
- Samba - Agent Orange DJ & Alexander Technique Remixremix12B · 128
- Samba - Zonum & Will Alonso & The Latin Society Editversion3B · 124
- Samba - Gettoblaster Remixremix12B · 128
- Samba - Zonum & Will Alonso & The Latin Society Remixremix10B · 124
- Samba - Agent Orange DJ & Alexander Technique Reworkremix12B · 128
At 122 BPM in E♭ minor (2A), Samba - MK Onix Dub is a club-tempo house production. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). A 2015 production that still circulates in sets. Calmer than 99% of Todd Terry's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Todd Terry's catalogue
- Tempo:
- slower than 94% of Todd Terry's catalogue
- Low end:
- more treble-tilted than 92% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Samba - MK Onix Dub in?
Samba - MK Onix Dub by Todd Terry is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Samba - MK Onix Dub?
Samba - MK Onix Dub runs at 122 BPM, a club-tempo track.
What mixes well with Samba - MK Onix Dub?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Samba - MK Onix Dub good for peak time?
With energy 54 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 122 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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