
Rhythm & Beat
30s preview
- Key
- 7B · F major
- BPM
- 122
- Open Key
- 12d
- Energy
- 54/100
- Pop
- 0/100
- Length
- 5:07
- Released
- 2000
- Genre
- House
- Loudness
- -5.7 dB
- Dynamics
- 11.9 dB
- ISRC
- FRU980700014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, Rhythm & Beat sits in F major (7B) at 122 BPM. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2000 production that still circulates in sets. More underground than 99% of Étienne de Crécy's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 90% of Étienne de Crécy's catalogue
- Low end:
- more bass-heavy than 85% of Étienne de Crécy's catalogue
- Energy:
- calmer than 80% of Étienne de Crécy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Rhythm & Beat in?
Rhythm & Beat by Étienne de Crécy is in F major, or 7B on the Camelot wheel.
What BPM is Rhythm & Beat?
Rhythm & Beat runs at 122 BPM, a club-tempo track.
What mixes well with Rhythm & Beat?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Rhythm & Beat good for peak time?
With energy 54 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 122 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Étienne de Crécy
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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