Seven Magic Mountains by Lee Burridge cover art

Seven Magic Mountains

Lee Burridge

30s preview

Key
8B · C major
BPM
122
Open Key
1d
Energy
57/100
Pop
15/100
Length
6:57
Released
2019
Genre
Tech House
Loudness
-14.8 dB
Dynamics
15.0 dB
ISRC
UKSP41900086

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, Seven Magic Mountains sits in C major (8B) at 122 BPM. It reads as balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Groovier than 87% of Lee Burridge's catalogue. For programming, treat it as a mid-set roller.

Brightness:
brighter than 87% of Lee Burridge's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy57
Mood64Balanced
Groove82
Acoustic0
Instrumental94
Live6
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Seven Magic Mountains in?

Seven Magic Mountains by Lee Burridge is in C major, or 8B on the Camelot wheel.

What BPM is Seven Magic Mountains?

Seven Magic Mountains runs at 122 BPM, a club-tempo track.

What mixes well with Seven Magic Mountains?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Seven Magic Mountains good for peak time?

With energy 57 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 122 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More tech house

More from Lee Burridge

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track