Magnolia (ANOUKA & mr.loi remix) by Oliver Schories cover art

Magnolia (ANOUKA & mr.loi remix)

Oliver Schories

30s preview

Key
10B · D major
BPM
122
Open Key
3d
Energy
58/100
Pop
0/100
Length
6:12
Released
2018
Genre
Tech House
Loudness
-9.4 dB
Dynamics
10.3 dB
ISRC
DEH741808799

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11B at 122 BPM), this version holds the same tempo and moves the key from 11B to 10B.

At 122 BPM in D major (10B), Magnolia (ANOUKA & mr.loi remix) is a club-tempo tech house production. Tonally it lands balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of Oliver Schories's catalogue. In a set it works best as a mid-set roller.

Brightness:
brighter than 85% of Oliver Schories's catalogue
Tempo:
slower than 84% of Oliver Schories's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy58
Mood51Balanced
Groove79
Acoustic1
Instrumental88
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Magnolia (ANOUKA & mr.loi remix) in?

Magnolia (ANOUKA & mr.loi remix) by Oliver Schories is in D major, or 10B on the Camelot wheel.

What BPM is Magnolia (ANOUKA & mr.loi remix)?

Magnolia (ANOUKA & mr.loi remix) runs at 122 BPM, a club-tempo track.

What mixes well with Magnolia (ANOUKA & mr.loi remix)?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Magnolia (ANOUKA & mr.loi remix) good for peak time?

With energy 58 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 122 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More tech house

More from Oliver Schories

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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