Everything Is Fine
30s preview
- Key
- 1B · B major
- BPM
- 122
- Open Key
- 6d
- Energy
- 59/100
- Pop
- 0/100
- Length
- 7:23
- Released
- 2013
- Genre
- Progressive House
- Loudness
- -8.4 dB
- Dynamics
- 12.1 dB
- ISRC
- US83Z1344704
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 122 BPM in B major (1B), Everything Is Fine is a club-tempo progressive house production. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of Michael A's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 91% of Michael A's catalogue
- Energy:
- calmer than 84% of Michael A's catalogue
- Low end:
- more treble-tilted than 82% of Michael A's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Everything Is Fine in?
Everything Is Fine by Michael A is in B major, or 1B on the Camelot wheel.
What BPM is Everything Is Fine?
Everything Is Fine runs at 122 BPM, a club-tempo track.
What mixes well with Everything Is Fine?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Everything Is Fine good for peak time?
With energy 59 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 122 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Michael A
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
