First Sights by Jeremy Olander cover art

First Sights

Jeremy Olander

30s preview

Key
3A · B♭ minor
BPM
122
Open Key
8m
Energy
58/100
Pop
4/100
Length
7:54
Released
2019
Genre
Progressive House
Loudness
-12.1 dB
Dynamics
11.4 dB
ISRC
AUXN21938070

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 122 BPM in B♭ minor (3A), First Sights is a club-tempo progressive house production. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 97% of Jeremy Olander's catalogue. For programming, treat it as a mid-set roller.

Energy:
calmer than 86% of Jeremy Olander's catalogue
Low end:
more bass-heavy than 84% of Jeremy Olander's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy58
Mood23Dark
Groove74
Acoustic0
Instrumental94
Live7
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
46%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is First Sights in?

First Sights by Jeremy Olander is in B♭ minor, or 3A on the Camelot wheel.

What BPM is First Sights?

First Sights runs at 122 BPM, a club-tempo track.

What mixes well with First Sights?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is First Sights good for peak time?

With energy 58 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More progressive house

More from Jeremy Olander

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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