
First Sights
30s preview
- BPM
- 122
- Open Key
- 8m
- Energy
- 58/100
- Pop
- 4/100
- Length
- 7:54
- Released
- 2019
- Genre
- Progressive House
- Loudness
- -12.1 dB
- Dynamics
- 11.4 dB
- ISRC
- AUXN21938070
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 122 BPM in B♭ minor (3A), First Sights is a club-tempo progressive house production. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 97% of Jeremy Olander's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 86% of Jeremy Olander's catalogue
- Low end:
- more bass-heavy than 84% of Jeremy Olander's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is First Sights in?
First Sights by Jeremy Olander is in B♭ minor, or 3A on the Camelot wheel.
What BPM is First Sights?
First Sights runs at 122 BPM, a club-tempo track.
What mixes well with First Sights?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is First Sights good for peak time?
With energy 58 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Jeremy Olander
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.