Accepting The Past - Luna City Express Remix
- Key
- 9B · G major
- BPM
- 122
- Open Key
- 2d
- Energy
- 57/100
- Pop
- 0/100
- Length
- 6:40
- Released
- 2015
- Album
- House Lessons
- Genre
- Tech House
- Loudness
- -7.2 dB
- ISRC
- QMSNZ1500566
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Accepting The Past - Luna City Express Remix runs 122 BPM in G major (9B), a club-tempo tech house record. Tonally it lands bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2015 production that still circulates in sets. More underground than 99% of Sidney Charles's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 98% of Sidney Charles's catalogue
- Tempo:
- slower than 98% of Sidney Charles's catalogue
- Groove:
- groovier than 93% of Sidney Charles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Accepting The Past - Luna City Express Remix in?
Accepting The Past - Luna City Express Remix by Sidney Charles is in G major, or 9B on the Camelot wheel.
What BPM is Accepting The Past - Luna City Express Remix?
Accepting The Past - Luna City Express Remix runs at 122 BPM, a club-tempo track.
What mixes well with Accepting The Past - Luna City Express Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Accepting The Past - Luna City Express Remix good for peak time?
With energy 57 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 122 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Sidney Charles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
