Moving Forward
30s preview
- Key
- 6A · G minor
- BPM
- 122
- Open Key
- 11m
- Energy
- 56/100
- Pop
- 5/100
- Length
- 6:36
- Released
- 2014
- Album
- Teenage Mutants vs. Kruse & Nuernberg
- Genre
- Techno
- Loudness
- -6.4 dB
- Dynamics
- 11.1 dB
- ISRC
- DEQ121426091
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Moving Forward runs 122 BPM in G minor (6A), a club-tempo techno record. The feel is balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2014 production that still circulates in sets. Calmer than 92% of Teenage Mutants's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 89% of Teenage Mutants's catalogue
- Tempo:
- slower than 81% of Teenage Mutants's catalogue
- Brightness:
- brighter than 77% of Teenage Mutants's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Moving Forward in?
Moving Forward by Teenage Mutants is in G minor, or 6A on the Camelot wheel.
What BPM is Moving Forward?
Moving Forward runs at 122 BPM, a club-tempo track.
What mixes well with Moving Forward?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Moving Forward good for peak time?
With energy 56 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 122 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More techno
More from Teenage Mutants
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
