Samba - Agent Orange DJ & Alexander Technique Rework
30s preview
- BPM
- 128
- Open Key
- 5d
- Energy
- 84/100
- Pop
- 0/100
- Length
- 7:06
- Released
- 2019
- Album
- Samba (Agent Orange DJ & Alexander Technique Rework)
- Genre
- House
- Loudness
- -6.7 dB
- Dynamics
- 10.2 dB
- ISRC
- USMKQ1900062
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Samba - Gettoblaster Editversion11A · 128
- Samba - Agent Orange DJ & Alexander Technique Remixremix12B · 128
- Samba - Zonum & Will Alonso & The Latin Society Editversion3B · 124
- Samba - Gettoblaster Remixremix12B · 128
- Samba - Zonum & Will Alonso & The Latin Society Remixremix10B · 124
- Samba (InHouse Radio 025) - Roog & Dennis Quin Remixremix10A · 124
Samba - Agent Orange DJ & Alexander Technique Rework is a peak-time tempo house track in E major (12B) at 128 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 95% of Todd Terry's catalogue
- Tempo:
- faster than 93% of Todd Terry's catalogue
- Brightness:
- darker than 93% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Samba - Agent Orange DJ & Alexander Technique Rework in?
Samba - Agent Orange DJ & Alexander Technique Rework by Todd Terry is in E major, or 12B on the Camelot wheel.
What BPM is Samba - Agent Orange DJ & Alexander Technique Rework?
Samba - Agent Orange DJ & Alexander Technique Rework runs at 128 BPM, a peak-time tempo track.
What mixes well with Samba - Agent Orange DJ & Alexander Technique Rework?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Samba - Agent Orange DJ & Alexander Technique Rework good for peak time?
With energy 84 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 128 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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