Again I by The Upbeats cover art

30s preview

Key
3A · B♭ minor
BPM
142
Half-time
71
Open Key
8m
Energy
98/100
Pop
0/100
Length
4:26
Released
2013
Genre
Drum N Bass
Loudness
-4.2 dB
Dynamics
12.3 dB
ISRC
USA2P1322491

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 142 BPM in B♭ minor (3A), Again I is a driving up-tempo drum n bass production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of The Upbeats's catalogue. In a set it works best as a floor-filler.

Brightness:
brighter than 98% of The Upbeats's catalogue
Groove:
groovier than 96% of The Upbeats's catalogue
Energy:
hotter than 93% of The Upbeats's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood66Bright
Groove74
Acoustic1
Instrumental0
Live9
Speech11

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Again I in?

Again I by The Upbeats is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Again I?

Again I runs at 142 BPM, a driving up-tempo track.

What mixes well with Again I?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Again I good for peak time?

With energy 98 out of 100 at 142 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 142 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 142 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from The Upbeats

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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