No Tech No - Konstantin Yoodza Remix
30s preview
- Key
- 1B · B major
- BPM
- 128
- Open Key
- 6d
- Energy
- 97/100
- Pop
- 1/100
- Length
- 6:32
- Released
- 2012
- Album
- No Tech No
- Genre
- Tech House
- Label
- Blockhead Recordings
- Loudness
- -6.7 dB
- Dynamics
- 14.3 dB
- ISRC
- QMUDV1100069
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- No Tech No - Original Mixoriginal10A · 128
- No Tech No - Passion Victim Remixremix8B · 128
Against the original (10A at 128 BPM), this version holds the same tempo and moves the key from 10A to 1B.
No Tech No - Konstantin Yoodza Remix: peak-time tempo tech house, B major (1B), 128 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. Hotter than 99% of Roy Rosenfeld's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 95% of Roy Rosenfeld's catalogue
- Tempo:
- faster than 88% of Roy Rosenfeld's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is No Tech No - Konstantin Yoodza Remix in?
No Tech No - Konstantin Yoodza Remix by Roy Rosenfeld is in B major, or 1B on the Camelot wheel.
What BPM is No Tech No - Konstantin Yoodza Remix?
No Tech No - Konstantin Yoodza Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with No Tech No - Konstantin Yoodza Remix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is No Tech No - Konstantin Yoodza Remix good for peak time?
With energy 97 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 128 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Roy Rosenfeld
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
