No Tech No - Original Mix by Roy Rosenfeld cover art

No Tech No - Original Mix

Roy Rosenfeld

Key
10A · B minor
BPM
128
Open Key
3m
Energy
91/100
Pop
16/100
Length
6:10
Released
2012
Album
No Tech No
Genre
Tech House
Label
Blockhead Recordings
Loudness
-5.9 dB
ISRC
QMUDV1100068

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

No Tech No - Original Mix: peak-time tempo tech house, B minor (10A), 128 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. Hotter than 88% of Roy Rosenfeld's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 88% of Roy Rosenfeld's catalogue
Reach:
better known than 86% of Roy Rosenfeld's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood33Balanced
Groove81
Acoustic1
Instrumental92
Live9
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is No Tech No - Original Mix in?

No Tech No - Original Mix by Roy Rosenfeld is in B minor, or 10A on the Camelot wheel.

What BPM is No Tech No - Original Mix?

No Tech No - Original Mix runs at 128 BPM, a peak-time tempo track.

What mixes well with No Tech No - Original Mix?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is No Tech No - Original Mix good for peak time?

With energy 91 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More tech house

More from Roy Rosenfeld

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track