Superlate Check In
- BPM
- 128
- Open Key
- 7d
- Energy
- 90/100
- Pop
- 22/100
- Length
- 12:00
- Released
- 2015
- Genre
- Minimal
- Loudness
- -10.9 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Superlate Check In: peak-time tempo minimal, F♯ major (2B), 128 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. Hotter than 98% of Barac's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 98% of Barac's catalogue
- Tempo:
- faster than 80% of Barac's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Superlate Check In in?
Superlate Check In by Barac is in F♯ major, or 2B on the Camelot wheel.
What BPM is Superlate Check In?
Superlate Check In runs at 128 BPM, a peak-time tempo track.
What mixes well with Superlate Check In?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Superlate Check In good for peak time?
With energy 90 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More minimal
More from Barac
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
