Keep On Rolling - Vincent Hiest & Digital Session Remix
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 7:15
- Released
- 2016
- Album
- Keep On Rolling
- Genre
- Techno
- Loudness
- -8.8 dB
- Dynamics
- 10.5 dB
- ISRC
- GBLV61608338
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Keep On Rolling - Lutzenkirchen Remixremix8B · 126
- Keep On Rollingoriginal9B · 126
- Keep On Rolling - Cosmic Boys Remixremix10A · 125
- Keep On Rolling - Inphasia & Nodin Remixremix10B · 126
Against the original (9B at 126 BPM), this version runs 2 BPM faster and moves the key from 9B to 10A.
Keep On Rolling - Vincent Hiest & Digital Session Remix runs 128 BPM in B minor (10A), a peak-time tempo techno record. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. More underground than 99% of Spartaque's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 94% of Spartaque's catalogue
- Brightness:
- brighter than 81% of Spartaque's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Keep On Rolling - Vincent Hiest & Digital Session Remix in?
Keep On Rolling - Vincent Hiest & Digital Session Remix by Spartaque is in B minor, or 10A on the Camelot wheel.
What BPM is Keep On Rolling - Vincent Hiest & Digital Session Remix?
Keep On Rolling - Vincent Hiest & Digital Session Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Keep On Rolling - Vincent Hiest & Digital Session Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Keep On Rolling - Vincent Hiest & Digital Session Remix good for peak time?
With energy 90 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Spartaque
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
