Beyond The Horizon
30s preview
- Key
- 6A · G minor
- BPM
- 128
- Open Key
- 11m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 7:36
- Released
- 2023
- Album
- Hip Cracker
- Genre
- Tech House
- Loudness
- -8.6 dB
- Dynamics
- 10.7 dB
- ISRC
- DEY472375940
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Beyond the Horizonoriginal6A · 128
At 128 BPM in G minor (6A), Beyond The Horizon is a peak-time tempo tech house production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Sidney Charles's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Beyond The Horizon in?
Beyond The Horizon by Sidney Charles is in G minor, or 6A on the Camelot wheel.
What BPM is Beyond The Horizon?
Beyond The Horizon runs at 128 BPM, a peak-time tempo track.
What mixes well with Beyond The Horizon?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Beyond The Horizon good for peak time?
With energy 90 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
![7 Seconds (James Hype Dub) [feat. Shamiya Battles] - Radio Edit by James Hype cover art](https://i.scdn.co/image/ab67616d00001e026765d0883c039e176b6c34e3){kind=small}
How to mix it
In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Sidney Charles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
