Korridor
30s preview
- BPM
- 124
- Open Key
- 7d
- Energy
- 1/100
- Pop
- 18/100
- Length
- 5:49
- Released
- 1998
- Album
- Artifakts (BC)
- Genre
- Techno
- Loudness
- -29.9 dB
- Dynamics
- 14.4 dB
- ISRC
- CAM269850015
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Korridor: club-tempo techno, F♯ major (2B), 124 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 1998 production that still circulates in sets. Calmer than 99% of Richie Hawtin's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 91% of Richie Hawtin's catalogue
- Reach:
- better known than 79% of Richie Hawtin's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 48%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Korridor in?
Korridor by Richie Hawtin is in F♯ major, or 2B on the Camelot wheel.
What BPM is Korridor?
Korridor runs at 124 BPM, a club-tempo track.
What mixes well with Korridor?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Korridor good for peak time?
With energy 1 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 124 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Richie Hawtin
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.