Convulse (Sic) by Richie Hawtin cover art

Convulse (Sic)

Richie Hawtin

Key
9A · E minor
BPM
120
Open Key
2m
Energy
6/100
Pop
20/100
Length
1:23
Released
1998
Album
Consumed
Genre
Minimal Techno
Label
NovaMute
Loudness
-38.4 dB
ISRC
USA2P2016291

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo minimal techno cut, Convulse (Sic) sits in E minor (9A) at 120 BPM. It reads as brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1998 production that still circulates in sets. Calmer than 95% of Richie Hawtin's catalogue. For programming, treat it as a warm-up or breakdown cut.

Groove:
less groove-driven than 89% of Richie Hawtin's catalogue
Reach:
better known than 84% of Richie Hawtin's catalogue
Tempo:
slower than 79% of Richie Hawtin's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy6
Mood12Dark
Groove30
Acoustic91
Instrumental95
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Convulse (Sic) in?

Convulse (Sic) by Richie Hawtin is in E minor, or 9A on the Camelot wheel.

What BPM is Convulse (Sic)?

Convulse (Sic) runs at 120 BPM, a club-tempo track.

What mixes well with Convulse (Sic)?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Convulse (Sic) good for peak time?

With energy 6 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#Track

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 120 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

#Track

More minimal techno

#Track

More from Richie Hawtin

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track