
Surfaceless
30s preview
- Key
- 5A · C minor
- BPM
- 80
- Double-time
- 160
- Open Key
- 10m
- Energy
- 71/100
- Pop
- 17/100
- Length
- 1:40
- Released
- 2016
- Album
- Outer Edges
- Genre
- Drum N Bass
- Loudness
- -7.1 dB
- Dynamics
- 12.4 dB
- ISRC
- NLCK41032644
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Surfaceless (Noisia's 'Outer Edges' Remix)remix6B · 80
Surfaceless runs 80 BPM in C minor (5A), a downtempo drum n bass record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. Darker than 96% of Noisia's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- slower than 93% of Noisia's catalogue
- Energy:
- calmer than 79% of Noisia's catalogue
- Reach:
- better known than 79% of Noisia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Surfaceless in?
Surfaceless by Noisia is in C minor, or 5A on the Camelot wheel.
What BPM is Surfaceless?
Surfaceless runs at 80 BPM, a downtempo track.
What mixes well with Surfaceless?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Surfaceless good for peak time?
With energy 71 out of 100 at 80 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 80 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 75-85 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 80 — beatmatch without a big tempo pull.
More drum n bass
More from Noisia
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 80 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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