Moving by Max Chapman cover art

30s preview

Key
2A · E♭ minor
BPM
127
Open Key
7m
Energy
99/100
Pop
7/100
Length
6:39
Released
2019
Album
Moving EP
Genre
Tech House
Loudness
-8.1 dB
Dynamics
12.6 dB
ISRC
GBKQU1945242

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Moving is a peak-time tempo tech house track in E♭ minor (2A) at 127 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Hotter than 92% of Max Chapman's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
brighter than 89% of Max Chapman's catalogue
Reach:
better known than 76% of Max Chapman's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood86Bright
Groove81
Acoustic0
Instrumental91
Live5
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Moving in?

Moving by Max Chapman is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Moving?

Moving runs at 127 BPM, a peak-time tempo track.

What mixes well with Moving?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Moving good for peak time?

With energy 99 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 127 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tech house

More from Max Chapman

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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