Three O Three
- BPM
- 127
- Open Key
- 8m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 6:33
- Released
- 2019
- Genre
- Tech House
- Loudness
- -7.9 dB
- ISRC
- UKCP61900019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Three O Three is a peak-time tempo tech house track in B♭ minor (3A) at 127 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. More underground than 99% of Max Chapman's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 84% of Max Chapman's catalogue
- Energy:
- hotter than 79% of Max Chapman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Three O Three in?
Three O Three by Max Chapman is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Three O Three?
Three O Three runs at 127 BPM, a peak-time tempo track.
What mixes well with Three O Three?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Three O Three good for peak time?
With energy 98 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Max Chapman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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