The Real Beats (Dub)
30s preview
- BPM
- 127
- Open Key
- 8m
- Energy
- 100/100
- Pop
- 0/100
- Length
- 5:25
- Released
- 2001
- Album
- The Real Beats
- Genre
- House
- Loudness
- -10.5 dB
- Dynamics
- 14.7 dB
- ISRC
- GBCPZ0100290
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Real Beatsoriginal3B · 126
Against the original (3B at 126 BPM), this version runs 1 BPM faster and moves the key from 3B to 3A.
A peak-time tempo house cut, The Real Beats (Dub) sits in B♭ minor (3A) at 127 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2001 production that still circulates in sets. Hotter than 99% of Gene Farris's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Gene Farris's catalogue
- Brightness:
- darker than 98% of Gene Farris's catalogue
- Low end:
- more treble-tilted than 84% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is The Real Beats (Dub) in?
The Real Beats (Dub) by Gene Farris is in B♭ minor, or 3A on the Camelot wheel.
What BPM is The Real Beats (Dub)?
The Real Beats (Dub) runs at 127 BPM, a peak-time tempo track.
What mixes well with The Real Beats (Dub)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is The Real Beats (Dub) good for peak time?
With energy 100 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Gene Farris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.