Hand in Hand by Marlon Hoffstadt cover art

Hand in Hand

Marlon Hoffstadt

30s preview

Key
9A · E minor
BPM
140
Half-time
70
Open Key
2m
Energy
94/100
Pop
3/100
Length
5:46
Released
2020
Genre
Trance
Label
Midnight Themes
Loudness
-7.5 dB
Dynamics
21.0 dB
ISRC
DECY51903645

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo trance cut, Hand in Hand sits in E minor (9A) at 140 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 21 dB). Brighter than 87% of Marlon Hoffstadt's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 79% of Marlon Hoffstadt's catalogue
Energy:
hotter than 76% of Marlon Hoffstadt's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood87Bright
Groove69
Acoustic0
Instrumental81
Live31
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
22%
High
2.5-11 kHz

FAQ

What key is Hand in Hand in?

Hand in Hand by Marlon Hoffstadt is in E minor, or 9A on the Camelot wheel.

What BPM is Hand in Hand?

Hand in Hand runs at 140 BPM, a driving up-tempo track.

What mixes well with Hand in Hand?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Hand in Hand good for peak time?

With energy 94 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 140 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

More trance

More from Marlon Hoffstadt

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track