Chemical Romance
30s preview
- BPM
- 121
- Open Key
- 4d
- Energy
- 71/100
- Pop
- 5/100
- Length
- 5:56
- Released
- 2018
- Genre
- House
- Loudness
- -13.0 dB
- Dynamics
- 13.6 dB
- ISRC
- DECY51901056
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Chemical Romance - Opal Sunn Remixremix3B · 124
Chemical Romance: club-tempo house, A major (11B), 121 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2018 production that still circulates in sets. More bass-heavy than 91% of Marlon Hoffstadt's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 83% of Marlon Hoffstadt's catalogue
- Groove:
- groovier than 80% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Chemical Romance in?
Chemical Romance by Marlon Hoffstadt is in A major, or 11B on the Camelot wheel.
What BPM is Chemical Romance?
Chemical Romance runs at 121 BPM, a club-tempo track.
What mixes well with Chemical Romance?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Chemical Romance good for peak time?
With energy 71 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 121 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More house
More from Marlon Hoffstadt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
