Last Night - The Deepshakerz Remix
- BPM
- 121
- Open Key
- 5m
- Energy
- 69/100
- Pop
- 0/100
- Length
- 6:05
- Released
- 2016
- Album
- Last Night EP
- Genre
- Tech House
- Loudness
- -10.0 dB
- ISRC
- UK8QM1400162
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Last Night - Gallya Remxoriginal3A · 124
- Last Night - Original Mixoriginal3B · 124
Against the original (3A at 124 BPM), this version runs 3 BPM slower and moves the key from 3A to 12A.
At 121 BPM in D♭ minor (12A), Last Night - The Deepshakerz Remix is a club-tempo tech house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2016 production that still circulates in sets. More underground than 99% of Dennis Cruz's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 97% of Dennis Cruz's catalogue
- Groove:
- less groove-driven than 76% of Dennis Cruz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Last Night - The Deepshakerz Remix in?
Last Night - The Deepshakerz Remix by Dennis Cruz is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Last Night - The Deepshakerz Remix?
Last Night - The Deepshakerz Remix runs at 121 BPM, a club-tempo track.
What mixes well with Last Night - The Deepshakerz Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Last Night - The Deepshakerz Remix good for peak time?
With energy 69 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 121 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More tech house
More from Dennis Cruz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
