Late Checkout TBC
30s preview
- Key
- 9A · E minor
- BPM
- 121
- Open Key
- 2m
- Energy
- 68/100
- Pop
- 0/100
- Length
- 5:43
- Released
- 2015
- Genre
- Tech House
- Loudness
- -11.4 dB
- Dynamics
- 11.2 dB
- ISRC
- DEH741500325
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 121 BPM in E minor (9A), Late Checkout TBC is a club-tempo tech house production. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2015 production that still circulates in sets. More underground than 99% of Oliver Schories's catalogue.
- Low end:
- more treble-tilted than 91% of Oliver Schories's catalogue
- Tempo:
- slower than 90% of Oliver Schories's catalogue
- Brightness:
- brighter than 75% of Oliver Schories's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 47%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Late Checkout TBC in?
Late Checkout TBC by Oliver Schories is in E minor, or 9A on the Camelot wheel.
What BPM is Late Checkout TBC?
Late Checkout TBC runs at 121 BPM, a club-tempo track.
What mixes well with Late Checkout TBC?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Late Checkout TBC good for peak time?
With energy 68 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 121 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More tech house
More from Oliver Schories
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
