C'mon Playa - Demuir's Playboy Edit by Mark Farina cover art

C'mon Playa - Demuir's Playboy Edit

Mark Farina

30s preview

Key
3B · D♭ major
BPM
126
Open Key
8d
Energy
88/100
Pop
0/100
Length
7:09
Released
2016
Album
C'mon Playa: The Canada Mixes
Genre
House
Loudness
-5.2 dB
Dynamics
12.5 dB
ISRC
GBKQU1620159

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (7B at 126 BPM), this version holds the same tempo and moves the key from 7B to 3B.

A club-tempo house cut, C'mon Playa - Demuir's Playboy Edit sits in D♭ major (3B) at 126 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. More underground than 99% of Mark Farina's catalogue. In a set it works best as a peak-time weapon.

Groove:
groovier than 96% of Mark Farina's catalogue
Low end:
more treble-tilted than 88% of Mark Farina's catalogue
Energy:
hotter than 86% of Mark Farina's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood39Balanced
Groove94
Acoustic2
Instrumental2
Live5
Speech16

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is C'mon Playa - Demuir's Playboy Edit in?

C'mon Playa - Demuir's Playboy Edit by Mark Farina is in D♭ major, or 3B on the Camelot wheel.

What BPM is C'mon Playa - Demuir's Playboy Edit?

C'mon Playa - Demuir's Playboy Edit runs at 126 BPM, a club-tempo track.

What mixes well with C'mon Playa - Demuir's Playboy Edit?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is C'mon Playa - Demuir's Playboy Edit good for peak time?

With energy 88 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 88/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More house

More from Mark Farina

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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