Trip To Arnhem - Original Mix
30s preview
- Key
- 8B · C major
- BPM
- 126
- Open Key
- 1d
- Energy
- 87/100
- Pop
- 1/100
- Length
- 7:33
- Released
- 2010
- Album
- Trip To Arnhem
- Genre
- Tech House
- Loudness
- -6.9 dB
- Dynamics
- 13.4 dB
- ISRC
- SEXRM1309761
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in C major (8B), Trip To Arnhem - Original Mix is a club-tempo tech house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2010 production that still circulates in sets. Brighter than 97% of Sidney Charles's catalogue.
- Groove:
- groovier than 90% of Sidney Charles's catalogue
- Low end:
- more treble-tilted than 85% of Sidney Charles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 24%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Trip To Arnhem - Original Mix in?
Trip To Arnhem - Original Mix by Sidney Charles is in C major, or 8B on the Camelot wheel.
What BPM is Trip To Arnhem - Original Mix?
Trip To Arnhem - Original Mix runs at 126 BPM, a club-tempo track.
What mixes well with Trip To Arnhem - Original Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Trip To Arnhem - Original Mix good for peak time?
With energy 87 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Sidney Charles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
