C'mon Playa - Iz & Diz West Loop Mix
- BPM
- 122
- Open Key
- 5m
- Energy
- 79/100
- Pop
- 1/100
- Length
- 6:34
- Released
- 2016
- Album
- C'mon Playa: The Chicago Mixes
- Genre
- House
- Loudness
- -7.3 dB
- ISRC
- GBLV61527663
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- C'mon Playa - 1200 Tech Mixoriginal7B · 126
- C'mon Playa - Dimitri Max Raw Fixoriginal3B · 123
- C'mon Playa - Original Mixoriginal8B · 122
- C'mon Playa - Demuir's Playboy Editversion3B · 126
- C'mon Playa - Hodges Junction Remixremix3B · 123
- C'mon Playa - Mark's Downed Mixoriginal6B · 122
C'mon Playa - Iz & Diz West Loop Mix is a club-tempo house track in D♭ minor (12A) at 122 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2016 production that still circulates in sets. Darker than 97% of Mark Farina's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is C'mon Playa - Iz & Diz West Loop Mix in?
C'mon Playa - Iz & Diz West Loop Mix by Mark Farina is in D♭ minor, or 12A on the Camelot wheel.
What BPM is C'mon Playa - Iz & Diz West Loop Mix?
C'mon Playa - Iz & Diz West Loop Mix runs at 122 BPM, a club-tempo track.
What mixes well with C'mon Playa - Iz & Diz West Loop Mix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is C'mon Playa - Iz & Diz West Loop Mix good for peak time?
With energy 79 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 122 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Mark Farina
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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