C'mon Playa - Mark's Downed Mix
30s preview
- BPM
- 122
- Open Key
- 11d
- Energy
- 79/100
- Pop
- 0/100
- Length
- 7:44
- Released
- 2016
- Album
- C'mon Playa: The Chicago Mixes
- Genre
- House
- Loudness
- -5.5 dB
- Dynamics
- 9.7 dB
- ISRC
- GBLV61527664
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- C'mon Playa - 1200 Tech Mixoriginal7B · 126
- C'mon Playa - Dimitri Max Raw Fixoriginal3B · 123
- C'mon Playa - Iz & Diz West Loop Mixoriginal12A · 122
- C'mon Playa - Original Mixoriginal8B · 122
- C'mon Playa - Demuir's Playboy Editversion3B · 126
- C'mon Playa - Hodges Junction Remixremix3B · 123
C'mon Playa - Mark's Downed Mix runs 122 BPM in B♭ major (6B), a club-tempo house record. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. More underground than 99% of Mark Farina's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 82% of Mark Farina's catalogue
- Low end:
- more treble-tilted than 80% of Mark Farina's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is C'mon Playa - Mark's Downed Mix in?
C'mon Playa - Mark's Downed Mix by Mark Farina is in B♭ major, or 6B on the Camelot wheel.
What BPM is C'mon Playa - Mark's Downed Mix?
C'mon Playa - Mark's Downed Mix runs at 122 BPM, a club-tempo track.
What mixes well with C'mon Playa - Mark's Downed Mix?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is C'mon Playa - Mark's Downed Mix good for peak time?
With energy 79 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 122 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Mark Farina
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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