Cutting the Tape - Angel Rize Remix
- Key
- 9B · G major
- BPM
- 122
- Open Key
- 2d
- Energy
- 80/100
- Pop
- 0/100
- Length
- 5:49
- Released
- 2012
- Album
- Cutting the Tape - EP
- Genre
- Deep House
- Loudness
- -10.3 dB
- ISRC
- USAH91201212
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Cutting the Tape - Angelo Ferreri Remixremix9B · 125
- Cutting the Tape - Berto Mene & Sabi Garcia Remixremix8A · 125
- Cutting the Tape - Dubman F Remixremix8B · 125
- Cutting the Tape - J&M Brothers & Vicmoren Remixremix9B · 125
- Cutting the Tape - Original Mixoriginal5A · 125
Against the original (5A at 125 BPM), this version runs 3 BPM slower and moves the key from 5A to 9B.
At 122 BPM in G major (9B), Cutting the Tape - Angel Rize Remix is a club-tempo deep house production. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Pablo Fierro's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 82% of Pablo Fierro's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Cutting the Tape - Angel Rize Remix in?
Cutting the Tape - Angel Rize Remix by Pablo Fierro is in G major, or 9B on the Camelot wheel.
What BPM is Cutting the Tape - Angel Rize Remix?
Cutting the Tape - Angel Rize Remix runs at 122 BPM, a club-tempo track.
What mixes well with Cutting the Tape - Angel Rize Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Cutting the Tape - Angel Rize Remix good for peak time?
With energy 80 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 122 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Pablo Fierro
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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