Boyd's Jam - MAW Zipper Beats
30s preview
- BPM
- 122
- Open Key
- 4m
- Energy
- 76/100
- Pop
- 1/100
- Length
- 5:12
- Released
- 2023
- Album
- MAW Lost Tapes 3
- Genre
- House
- Loudness
- -11.6 dB
- Dynamics
- 11.4 dB
- ISRC
- GBKQU2336436
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Boyd's Jam - On The Organ Mixoriginal3A · 122
- Boyd's Jam - MAW Synth Dubversion2A · 122
Boyd's Jam - MAW Zipper Beats: club-tempo house, F♯ minor (11A), 122 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 88% of Masters At Work's catalogue. In a set it works best as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Boyd's Jam - MAW Zipper Beats in?
Boyd's Jam - MAW Zipper Beats by Masters At Work is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Boyd's Jam - MAW Zipper Beats?
Boyd's Jam - MAW Zipper Beats runs at 122 BPM, a club-tempo track.
What mixes well with Boyd's Jam - MAW Zipper Beats?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Boyd's Jam - MAW Zipper Beats good for peak time?
With energy 76 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 122 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Masters At Work
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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