Working It to the Ride
30s preview
- BPM
- 122
- Open Key
- 8d
- Energy
- 76/100
- Pop
- 0/100
- Length
- 6:24
- Released
- 2010
- Genre
- Deep House
- Loudness
- -13.5 dB
- Dynamics
- 9.4 dB
- ISRC
- DEU231001225
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Working It to the Ride runs 122 BPM in D♭ major (3B), a club-tempo deep house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. More underground than 99% of Pablo Fierro's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more bass-heavy than 99% of Pablo Fierro's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 52%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 11%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Working It to the Ride in?
Working It to the Ride by Pablo Fierro is in D♭ major, or 3B on the Camelot wheel.
What BPM is Working It to the Ride?
Working It to the Ride runs at 122 BPM, a club-tempo track.
What mixes well with Working It to the Ride?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Working It to the Ride good for peak time?
With energy 76 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Pablo Fierro
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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