Solar Ray by Tim Engelhardt cover art

30s preview

Key
12A · D♭ minor
BPM
122
Open Key
5m
Energy
76/100
Pop
0/100
Length
6:52
Released
2019
Genre
Tech House
Loudness
-9.9 dB
Dynamics
10.2 dB
ISRC
US83Z1930978

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Solar Ray is a club-tempo tech house track in D♭ minor (12A) at 122 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Tim Engelhardt's catalogue. For programming, treat it as a floor-filler.

Tempo:
slower than 84% of Tim Engelhardt's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood21Dark
Groove79
Acoustic2
Instrumental84
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Solar Ray in?

Solar Ray by Tim Engelhardt is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Solar Ray?

Solar Ray runs at 122 BPM, a club-tempo track.

What mixes well with Solar Ray?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Solar Ray good for peak time?

With energy 76 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 122 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More tech house

More from Tim Engelhardt

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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