Don't Give Up - Radio Edit
30s preview
- BPM
- 122
- Open Key
- 4m
- Energy
- 76/100
- Pop
- 0/100
- Length
- 3:29
- Released
- 2021
- Album
- Don't Give Up (Radio Edit)
- Genre
- Techno
- Loudness
- -7.2 dB
- Dynamics
- 10.7 dB
- ISRC
- USA2P2102528
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Give Up - Nihil Young Remixremix11A · 126
- Don't Give Up - Extendedversion11A · 122
- Don't Give Up - Late Night Mixoriginal1B · 123
Against the original (1B at 123 BPM), this version runs 1 BPM slower and moves the key from 1B to 11A.
Don't Give Up - Radio Edit is a club-tempo techno track in F♯ minor (11A) at 122 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Nihil Young's catalogue.
- Tempo:
- slower than 93% of Nihil Young's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Don't Give Up - Radio Edit in?
Don't Give Up - Radio Edit by Nihil Young is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Don't Give Up - Radio Edit?
Don't Give Up - Radio Edit runs at 122 BPM, a club-tempo track.
What mixes well with Don't Give Up - Radio Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Don't Give Up - Radio Edit good for peak time?
With energy 76 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 122 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More techno
More from Nihil Young
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
