Keep It Deep - Sascha Dive's Four To The Floor Edit
30s preview
- BPM
- 122
- Open Key
- 8d
- Energy
- 77/100
- Pop
- 1/100
- Length
- 5:47
- Released
- 2016
- Album
- Keep It Deep
- Genre
- Deep House
- Loudness
- -12.2 dB
- Dynamics
- 10.8 dB
- ISRC
- USA671600142
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Keep It Deeporiginal3B · 122
Against the original (3B at 122 BPM), this version holds the same tempo in the same key.
Keep It Deep - Sascha Dive's Four To The Floor Edit is a club-tempo deep house track in D♭ major (3B) at 122 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More bass-heavy than 98% of Kerri Chandler's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 92% of Kerri Chandler's catalogue
- Groove:
- groovier than 90% of Kerri Chandler's catalogue
- Brightness:
- darker than 79% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 11%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Keep It Deep - Sascha Dive's Four To The Floor Edit in?
Keep It Deep - Sascha Dive's Four To The Floor Edit by Kerri Chandler is in D♭ major, or 3B on the Camelot wheel.
What BPM is Keep It Deep - Sascha Dive's Four To The Floor Edit?
Keep It Deep - Sascha Dive's Four To The Floor Edit runs at 122 BPM, a club-tempo track.
What mixes well with Keep It Deep - Sascha Dive's Four To The Floor Edit?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Keep It Deep - Sascha Dive's Four To The Floor Edit good for peak time?
With energy 77 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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