Terrodrone 001
30s preview
- BPM
- 128
- Open Key
- 5m
- Energy
- 80/100
- Pop
- 0/100
- Length
- 7:15
- Released
- 2018
- Genre
- Techno
- Loudness
- -8.2 dB
- Dynamics
- 10.5 dB
- ISRC
- CA5KR1713330
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Terrodrone 001 - Kamil Van Derson Remixremix1B · 128
Terrodrone 001 is a peak-time tempo techno track in D♭ minor (12A) at 128 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of Marco Ginelli's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 90% of Marco Ginelli's catalogue
- Tempo:
- slower than 86% of Marco Ginelli's catalogue
- Groove:
- groovier than 77% of Marco Ginelli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Terrodrone 001 in?
Terrodrone 001 by Marco Ginelli is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Terrodrone 001?
Terrodrone 001 runs at 128 BPM, a peak-time tempo track.
What mixes well with Terrodrone 001?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Terrodrone 001 good for peak time?
With energy 80 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 128 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Marco Ginelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
