Point of View (original 12" mix)
30s preview
- Key
- 6A · G minor
- BPM
- 80
- Double-time
- 160
- Open Key
- 11m
- Energy
- 19/100
- Pop
- 25/100
- Length
- 2:15
- Released
- 2000
- Genre
- Drum N Bass
- Loudness
- -18.8 dB
- Dynamics
- 15.4 dB
- ISRC
- GBCCH0000293
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A downtempo drum n bass cut, Point of View (original 12" mix) sits in G minor (6A) at 80 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2000 production that still circulates in sets. Calmer than 99% of LTJ Bukem's catalogue.
- Tempo:
- slower than 99% of LTJ Bukem's catalogue
- Groove:
- less groove-driven than 99% of LTJ Bukem's catalogue
- Low end:
- more treble-tilted than 96% of LTJ Bukem's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Point of View (original 12" mix) in?
Point of View (original 12" mix) by LTJ Bukem is in G minor, or 6A on the Camelot wheel.
What BPM is Point of View (original 12" mix)?
Point of View (original 12" mix) runs at 80 BPM, a downtempo track.
What mixes well with Point of View (original 12" mix)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Point of View (original 12" mix) good for peak time?
With energy 19 out of 100 at 80 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 80 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 75-85 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 80 — beatmatch without a big tempo pull.
More drum n bass
More from LTJ Bukem
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 80 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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