You And Me As One - Acoustic
30s preview
- BPM
- 84
- Double-time
- 168
- Open Key
- 3m
- Energy
- 39/100
- Pop
- 13/100
- Length
- 3:06
- Released
- 2019
- Album
- You And Me As One (Acoustic)
- Genre
- Drum N Bass
- Loudness
- -7.7 dB
- Dynamics
- 13.8 dB
- ISRC
- GBSXS1900174
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You And Me As Oneoriginal10A · 88
- You And Me As One - S.P.Y Remixremix10A · 175
- You And Me As One - PAX Editversion1B · 128
Against the original (10A at 88 BPM), this version runs 4 BPM slower in the same key.
A downtempo drum n bass cut, You And Me As One - Acoustic sits in B minor (10A) at 84 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 14 dB). Less groove-driven than 97% of Sigma's catalogue.
- Low end:
- more treble-tilted than 97% of Sigma's catalogue
- Tempo:
- slower than 96% of Sigma's catalogue
- Energy:
- calmer than 95% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is You And Me As One - Acoustic in?
You And Me As One - Acoustic by Sigma is in B minor, or 10A on the Camelot wheel.
What BPM is You And Me As One - Acoustic?
You And Me As One - Acoustic runs at 84 BPM, a downtempo track.
What mixes well with You And Me As One - Acoustic?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is You And Me As One - Acoustic good for peak time?
With energy 39 out of 100 at 84 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 84 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 79-89 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 84 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 84 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.