from nothing came something and you lasted a lifetime by Leaving Laurel cover art

from nothing came something and you lasted a lifetime

Leaving Laurel

Key
1B · B major
BPM
120
Open Key
6d
Energy
52/100
Pop
10/100
Length
9:00
Released
2023
Genre
Progressive House
Loudness
-13.3 dB
ISRC
GBEWA2300426

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

from nothing came something and you lasted a lifetime runs 120 BPM in B major (1B), a club-tempo progressive house record. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Less groove-driven than 87% of Leaving Laurel's catalogue.

Energy:
calmer than 83% of Leaving Laurel's catalogue
Brightness:
darker than 81% of Leaving Laurel's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy52
Mood7Dark
Groove50
Acoustic55
Instrumental91
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is from nothing came something and you lasted a lifetime in?

from nothing came something and you lasted a lifetime by Leaving Laurel is in B major, or 1B on the Camelot wheel.

What BPM is from nothing came something and you lasted a lifetime?

from nothing came something and you lasted a lifetime runs at 120 BPM, a club-tempo track.

What mixes well with from nothing came something and you lasted a lifetime?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is from nothing came something and you lasted a lifetime good for peak time?

With energy 52 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 120 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More progressive house

More from Leaving Laurel

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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