Peninsula (Luka Sambe & Filter Bear Remix)
30s preview
- Key
- 9A · E minor
- BPM
- 120
- Open Key
- 2m
- Energy
- 52/100
- Pop
- 2/100
- Length
- 7:06
- Released
- 2019
- Album
- Peninsula
- Genre
- Progressive House
- Label
- Dawn Till Dusk
- Loudness
- -12.7 dB
- Dynamics
- 15.1 dB
- ISRC
- AUXN21937361
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Peninsulaoriginal4B · 119
Against the original (4B at 119 BPM), this version runs 1 BPM faster and moves the key from 4B to 9A.
Peninsula (Luka Sambe & Filter Bear Remix) is a club-tempo progressive house track in E minor (9A) at 120 BPM. Tonally it lands balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Calmer than 95% of Jamie Stevens's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 90% of Jamie Stevens's catalogue
- Tempo:
- slower than 89% of Jamie Stevens's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Peninsula (Luka Sambe & Filter Bear Remix) in?
Peninsula (Luka Sambe & Filter Bear Remix) by Jamie Stevens is in E minor, or 9A on the Camelot wheel.
What BPM is Peninsula (Luka Sambe & Filter Bear Remix)?
Peninsula (Luka Sambe & Filter Bear Remix) runs at 120 BPM, a club-tempo track.
What mixes well with Peninsula (Luka Sambe & Filter Bear Remix)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Peninsula (Luka Sambe & Filter Bear Remix) good for peak time?
With energy 52 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 120 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Jamie Stevens
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
