On the Edge - Sunday Morning Mix by Eelke Kleijn cover art

On the Edge - Sunday Morning Mix

Eelke Kleijn

Key
12A · D♭ minor
BPM
120
Open Key
5m
Energy
51/100
Pop
0/100
Length
4:52
Released
2008
Album
On the Edge
Genre
Progressive House
Loudness
-10.7 dB
ISRC
NLQ881000717

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 120 BPM in D♭ minor (12A), On the Edge - Sunday Morning Mix is a club-tempo progressive house production. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. More underground than 99% of Eelke Kleijn's catalogue.

Groove:
less groove-driven than 92% of Eelke Kleijn's catalogue
Energy:
calmer than 88% of Eelke Kleijn's catalogue
Tempo:
slower than 85% of Eelke Kleijn's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy51
Mood32Dark
Groove53
Acoustic2
Instrumental84
Live10
Speech11

Frequency spectrum

amplitude · bass → treble

FAQ

What key is On the Edge - Sunday Morning Mix in?

On the Edge - Sunday Morning Mix by Eelke Kleijn is in D♭ minor, or 12A on the Camelot wheel.

What BPM is On the Edge - Sunday Morning Mix?

On the Edge - Sunday Morning Mix runs at 120 BPM, a club-tempo track.

What mixes well with On the Edge - Sunday Morning Mix?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is On the Edge - Sunday Morning Mix good for peak time?

With energy 51 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 120 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More progressive house

More from Eelke Kleijn

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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