On the Edge - Deep Dub
- BPM
- 126
- Open Key
- 3m
- Energy
- 55/100
- Pop
- 0/100
- Length
- 6:40
- Released
- 2008
- Album
- On the Edge
- Genre
- Progressive House
- Loudness
- -9.5 dB
- ISRC
- NLQ880900141
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- On the Edgeoriginal1B · 126
- On the Edge - Sunday Morning Mixoriginal12A · 120
Against the original (1B at 126 BPM), this version holds the same tempo and moves the key from 1B to 10A.
A club-tempo progressive house cut, On the Edge - Deep Dub sits in B minor (10A) at 126 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2008 production that still circulates in sets. More underground than 99% of Eelke Kleijn's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 88% of Eelke Kleijn's catalogue
- Energy:
- calmer than 82% of Eelke Kleijn's catalogue
- Brightness:
- brighter than 76% of Eelke Kleijn's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is On the Edge - Deep Dub in?
On the Edge - Deep Dub by Eelke Kleijn is in B minor, or 10A on the Camelot wheel.
What BPM is On the Edge - Deep Dub?
On the Edge - Deep Dub runs at 126 BPM, a club-tempo track.
What mixes well with On the Edge - Deep Dub?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is On the Edge - Deep Dub good for peak time?
With energy 55 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Eelke Kleijn
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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