Come On Now (Mono Outtake With Two False Starts)
30s preview
- Key
- 8B · C major
- BPM
- 82
- Double-time
- 164
- Open Key
- 1d
- Energy
- 82/100
- Pop
- 6/100
- Length
- 3:39
- Released
- 2008
- Album
- Picture Book
- Genre
- Techno
- Loudness
- -7.0 dB
- Dynamics
- 13.3 dB
- ISRC
- GBUM70810944
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come On Noworiginal8B · 83
- Come On Now - Liveoriginal7B · 162
- Come On Now - Stereooriginal7B · 81
Come On Now (Mono Outtake With Two False Starts) is a downtempo techno track in C major (8B) at 82 BPM. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). A 2008 production that still circulates in sets. Slower than 95% of Kink's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more treble-tilted than 95% of Kink's catalogue
- Reach:
- better known than 82% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Come On Now (Mono Outtake With Two False Starts) in?
Come On Now (Mono Outtake With Two False Starts) by Kink is in C major, or 8B on the Camelot wheel.
What BPM is Come On Now (Mono Outtake With Two False Starts)?
Come On Now (Mono Outtake With Two False Starts) runs at 82 BPM, a downtempo track.
What mixes well with Come On Now (Mono Outtake With Two False Starts)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Come On Now (Mono Outtake With Two False Starts) good for peak time?
With energy 82 out of 100 at 82 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 82 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 77-87 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 82 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 82 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
