Unwanted Arrival - Beatless Mix
30s preview
- Key
- 8B · C major
- BPM
- 82
- Double-time
- 164
- Open Key
- 1d
- Energy
- 91/100
- Pop
- 1/100
- Length
- 3:47
- Released
- 2017
- Album
- Rules of Reality EP
- Genre
- Techno
- Loudness
- -15.6 dB
- Dynamics
- 16.5 dB
- ISRC
- NLCK41036933
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Unwanted Arrivaloriginal9B · 129
At 82 BPM in C major (8B), Unwanted Arrival - Beatless Mix is a downtempo techno production. The feel is dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2017 production that still circulates in sets. Slower than 95% of Cleric's catalogue.
- Low end:
- more treble-tilted than 91% of Cleric's catalogue
- Groove:
- less groove-driven than 89% of Cleric's catalogue
- Brightness:
- brighter than 79% of Cleric's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Unwanted Arrival - Beatless Mix in?
Unwanted Arrival - Beatless Mix by Cleric is in C major, or 8B on the Camelot wheel.
What BPM is Unwanted Arrival - Beatless Mix?
Unwanted Arrival - Beatless Mix runs at 82 BPM, a downtempo track.
What mixes well with Unwanted Arrival - Beatless Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Unwanted Arrival - Beatless Mix good for peak time?
With energy 91 out of 100 at 82 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 82 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 77-87 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 82 — beatmatch without a big tempo pull.
More techno
More from Cleric
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 82 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
