WITH ME
30s preview
- Key
- 4A · F minor
- BPM
- 145
- Half-time
- 73
- Open Key
- 9m
- Energy
- 96/100
- Pop
- 61/100
- Length
- 3:03
- Released
- 2026
- Genre
- House
- Label
- Experts Only
- Loudness
- -4.2 dB
- Dynamics
- 9.4 dB
- ISRC
- USA2P2605966
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo house cut, WITH ME sits in F minor (4A) at 145 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Faster than 97% of John Summit's catalogue.
- Groove:
- less groove-driven than 92% of John Summit's catalogue
- Energy:
- hotter than 88% of John Summit's catalogue
- Reach:
- better known than 88% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is WITH ME in?
WITH ME by John Summit is in F minor, or 4A on the Camelot wheel.
What BPM is WITH ME?
WITH ME runs at 145 BPM, a driving up-tempo track.
What mixes well with WITH ME?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is WITH ME good for peak time?
With energy 96 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![7 Seconds (Cassö Remix) [feat. Shamiya Battles] - Extended Mix by James Hype cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a8a73cca7f34adcdb7d2.webp){kind=small}
How to mix it
In 4A at 145 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
