Shake & Pop - John Summit Remix
30s preview
- Key
- 9B · G major
- BPM
- 129
- Open Key
- 2d
- Energy
- 81/100
- Pop
- 51/100
- Length
- 3:38
- Released
- 2024
- Album
- Shake & Pop (John Summit Remix)
- Genre
- House
- Loudness
- -7.3 dB
- Dynamics
- 9.3 dB
- ISRC
- GBCPZ2423950
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Shake & Pop - John Summit Remix runs 129 BPM in G major (9B), a peak-time tempo house record. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 88% of John Summit's catalogue.
- Brightness:
- darker than 84% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Shake & Pop - John Summit Remix in?
Shake & Pop - John Summit Remix by John Summit is in G major, or 9B on the Camelot wheel.
What BPM is Shake & Pop - John Summit Remix?
Shake & Pop - John Summit Remix runs at 129 BPM, a peak-time tempo track.
What mixes well with Shake & Pop - John Summit Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Shake & Pop - John Summit Remix good for peak time?
With energy 81 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 129 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.