Shake & Pop - John Summit Remix by John Summit cover art

Shake & Pop - John Summit Remix

John Summit

30s preview

Key
9B · G major
BPM
129
Open Key
2d
Energy
81/100
Pop
51/100
Length
3:38
Released
2024
Album
Shake & Pop (John Summit Remix)
Genre
House
Loudness
-7.3 dB
Dynamics
9.3 dB
ISRC
GBCPZ2423950

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Shake & Pop - John Summit Remix runs 129 BPM in G major (9B), a peak-time tempo house record. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 88% of John Summit's catalogue.

Brightness:
darker than 84% of John Summit's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy81
Mood11Dark
Groove54
Acoustic1
Instrumental66
Live44
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Shake & Pop - John Summit Remix in?

Shake & Pop - John Summit Remix by John Summit is in G major, or 9B on the Camelot wheel.

What BPM is Shake & Pop - John Summit Remix?

Shake & Pop - John Summit Remix runs at 129 BPM, a peak-time tempo track.

What mixes well with Shake & Pop - John Summit Remix?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Shake & Pop - John Summit Remix good for peak time?

With energy 81 out of 100 at 129 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 129 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 81/100).

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

#Track

More house

More from John Summit

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track