La Puneta - Joe Kendut Remix by Balthazar & JackRock cover art

La Puneta - Joe Kendut Remix

Balthazar & JackRock

30s preview

Key
11A · F♯ minor
BPM
129
Open Key
4m
Energy
82/100
Pop
0/100
Length
8:11
Released
2013
Album
Land Of Voodoo EP
Genre
Techno
Loudness
-6.1 dB
Dynamics
11.7 dB
ISRC
BGA771300032

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9A at 126 BPM), this version runs 3 BPM faster and moves the key from 9A to 11A.

At 129 BPM in F♯ minor (11A), La Puneta - Joe Kendut Remix is a peak-time tempo techno production. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of Balthazar & JackRock's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 85% of Balthazar & JackRock's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood14Dark
Groove73
Acoustic0
Instrumental70
Live35
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is La Puneta - Joe Kendut Remix in?

La Puneta - Joe Kendut Remix by Balthazar & JackRock is in F♯ minor, or 11A on the Camelot wheel.

What BPM is La Puneta - Joe Kendut Remix?

La Puneta - Joe Kendut Remix runs at 129 BPM, a peak-time tempo track.

What mixes well with La Puneta - Joe Kendut Remix?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is La Puneta - Joe Kendut Remix good for peak time?

With energy 82 out of 100 at 129 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 129 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 82/100).

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track