La Danza - David Penn Remix
30s preview
- BPM
- 125
- Open Key
- 5m
- Energy
- 94/100
- Pop
- 8/100
- Length
- 3:04
- Released
- 2022
- Album
- La Danza (David Penn Remix)
- Genre
- House
- Label
- Defected
- Loudness
- -4.8 dB
- Dynamics
- 9.2 dB
- ISRC
- GBCPZ2221112
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- La Danzaoriginal11A · 126
- La danza (extended mix)version11A · 126
- La Danza - David Penn Extended Remixremix12A · 125
Against the original (11A at 126 BPM), this version runs 1 BPM slower and moves the key from 11A to 12A.
La Danza - David Penn Remix is a club-tempo house track in D♭ minor (12A) at 125 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Slower than 85% of John Summit's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 83% of John Summit's catalogue
- Reach:
- more underground than 80% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is La Danza - David Penn Remix in?
La Danza - David Penn Remix by John Summit is in D♭ minor, or 12A on the Camelot wheel.
What BPM is La Danza - David Penn Remix?
La Danza - David Penn Remix runs at 125 BPM, a club-tempo track.
What mixes well with La Danza - David Penn Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is La Danza - David Penn Remix good for peak time?
With energy 94 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
![Operator (Ring Ring) [feat. Dances With White Girls] by Chris Lake cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/f0b3c5da303be6a4142e.webp){kind=small}
How to mix it
In 12A at 125 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
